ocean fields

I created this series of large scale oceanscapes at Point Reyes National Seashore. The drips and marks are influenced by the abstract expressionists; however, the first inspiration is the ocean. I placed the canvases directly on the beach just out of reach of the waves. I like to be close to the water’s edge.

The ocean is a living breathing organism that cannot be contained, yet a painting is inherently an attempt to contain. In an act of both hubris and humility, I admit failure before I begin. The sand, wind and tide lead me in a dance. I react and follow. Sometimes “following” looks like closing my eyes and listening to the low hum of the surf before applying a fluid stroke of paint. At other moments it is a frantic scramble to pull the canvases away from the rising tide.

My embodied presence, and its limitations, become part of each painting. I struggle to keep sand off the canvas, my failure is imprinted into the paint. Strokes are dictated by my inability to reach sections of the painting from a certain angle. As the sun sets, I mix colors with memory and imagination to compensate for my waning eyesight. The final work is a commingling of human frailty with the grandeur of the ocean.


"Swash" Triptych, 48x132

 

“Sky/Sea/Land” Triptych, 72x58

 

"Landbreak" Triptych, 48x132

 

“Sun Breaks Through” Triptych, 72x48

 

“White Noise” Triptych, 48x132

 

“Ebb Current” Diptych, 60x96

 

“Into the Expanse” Diptych, 48x72

 

“Opal Sea I” 36x48

 

“Horizon Line” Diptych, 48x72

 

“Receding Breakers” 36x48

 

small works

“Blue Sea”, 12x16

 

“Opal Sea II”, 12x16

 

“One Streak of Light” 12x16

 

“Dusk” 12x16